STOCK PHOTO LIBRARY SEARCH
Enter Keywords or Photo's ID, e.g. UFL-0068
 

Our Image Library features only the best from Thomas Wiewandt's 30-year career as a professional nature and travel photographer, along with selected digital images from world-class underwater photographer Barry B. Brown.
 
Return to HomePage Learn more about Thomas Wielwandt View collection of stock images View our pricing details Tons of gifts; cards, frames Contact Us via email
    GALLERY NOTES

PHOTO MURALS
Accent walls, windows, soffits, or columns with natural beauty. Through WindowAndWallScapes we offer panoramic photo murals printed on custom wall coverings and window films.

Or if you are designing a home theater system, our panoramics printed and installed on cloth sound-dampening panels by 3Dsquared create an experience pleasing to the eye and ear. Inquire Here.

   PRINT GALLERY

  :: Weather
  :: Fauna
  :: Flora
  :: Landscape
  :: Sea
  :: Panoramics
  :: Special Collections
   USER REGISTRATION

For access to all viewing and licensing features of our website, CLICK HERE TO REGISTER

To learn more about our LIGHTBOX feature, CLICK HERE

 Username:
 
 Password:
 

 
:: Forgot password

About our Economical Photo Art Pigment Prints

About our Fine Art Prints

EXACTLY WHAT IS A GICLEE PRINT?

Many buyers have an aversion to "inkjet" prints, yet seek those labeled as "giclee." Don't be fooled by terminology. The word giclee (jhee-clay) is a French noun that means a spray or spurt of liquid. Giclee prints are, in fact, inkjet prints. But it would be grossly unfair to equate the results from a typical desktop inkjet printer to what can be achieved with the newer, highly sophisticated professional inkjet printers available today.

Giclee is unfortunately a loose term with no standardized definition in the art world; but its use generally refers to prints created with professional 7- to 12-color inkjet printers using pigment-based inks and high-end, acid-free papers. Most consumer inkjet photo printers use color inks made with dyes rather than pigments. Given the need for speed, economy, and versatility, dye-based inks work best for the average user. Unfortunately, dye-based prints are highly susceptible to fading. Today's pigment-based inks are much more stable and offer color depth that rivals dye-based inks. So for the sake of clarity, many fine-art photographers are now abandoning the term giclee in favor of "pigment prints," thereby distinguishing them from dye-based inkjet prints and traditional, chemically processed "darkroom" prints.

The ink-paper combination determines the look, feel, and longevity of pigment prints. We use superb fade-resistant inks and archival printing surfaces that range from fine art canvas to luxurious watercolor and German etching papers. Many of the new ink-paper combinations hold archival ratings in excess of 100 years with no noticeable fading or color shifts under normal display conditions. Such astonishing stability figures are derived from accelerated aging tests by a highly respected independent lab, Wilhelm Research. In short, today's pigment prints made with the best inks and papers can outlive gold-standard prints made in the darkroom.
Copyright © 2008 Wild Horizons Publishing, Inc. :: Copyright Notice
Wild Horizons, attn: Thomas Wiewandt, PO Box 5118, Tucson, Arizona 85703 USA :: tel. 520-743-4551
Wild Horizons® is a Federally Registered Trademark :: Trademark Notice
Report problems to Webmaster